Tag: Artistic

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Animated art, the first experiment: Edgar Degas.

After a long attempt, I managed to realize an idea last weekend: the animated version of the laundress from EDGAR DEGAS. Here is the description given on the Pinakotheken page:

” The Laundress

Edgar Degas treated the subject of the laundress here for the first time. By the end of the 1860s, he had his “Ingres period” behind him and was increasingly turning to realistically conceived contemporary subjects. By 1902 he had painted a whole series of pictures of ironwomen. While in the later versions the work process as such, i.e. the moment of action, predominates, in this early version Degas’ interest is more in the person; she pauses in her work and looks at the viewer: the work picture has more the character of a portrait. The date of around 1869 is derived from a pastel with the same motif in the Musée d’Orsay, which the collector Manzi Joyant, a friend of Degas, published with this date. It is supported by the “69” dated portrait of Emma Dobigny, who – apparently at the same age of 16 to 17 – posed for the “Büglerin”.”

Translated, original source: https://www.pinakothek.de/kunst/meisterwerk/edgar-degas/die-bueglerin, accessed 03/24/2022

The Edgar Degas painting is just crying out to be animated. I hope the artist will forgive me this modification and deviant interpretation of his artwork. Have fun looking at it.

Stay tuned, until the next creative animation…

Stay tuned.

More about art…

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Finally! Animated Art.

Animating classical and modern art

After a long run-up, today I managed to realize an idea I’ve been putting off for a long time: animated art.

When I visited the Alte Pinakothek in Munich in February 2020 just before the first lockdown and while looking at the artworks I developed lots of ideas how to add a nice animated story to the artwork. In the tradition of Terry Gilliam (Monty Python), I would like to breathe some life into – sometimes irreverent and anarchistic – works of art at irregular intervals. Have fun with it, this week I start with Degas.

Stay tuned, until the next creative animation…

Stay tuned.

More about art…

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A visit to the Museum Fünf Kontinente

On November 30, 2020, I was already standing in front of the Museum Fünf Kontinente in Munich (https://www.museum-fuenf-kontinente.de), but that day I decided to go to the MUCA (Museum of Urban and Contemporary Art, https://www.muca.eu) and and discover a new favorite artist, Richard Hambleton. But this is another story, I’ll tell it at another time. What can you see at the Museum Five Continents?

“The Museum Fünf Kontinente, formerly known as the Staatliches Museum für Völkerkunde, was founded in 1862 as the first ethnological museum in Germany. The collection of artefacts of everyday life, ritual objects and works of art which are preserved and continually expanded here reflect humanity’s cultural diversity. They build bridges from the past to the present day and open doors to other ways of life and viewpoints. The Museum offers access to the cultural riches of the earth’s peoples in a way which is unique with Munich’s broad range of museums.”

Source: https://www.museum-fuenf-kontinente.de/services/english-summary.html, Access 30.1.2022

In a nutshell: the museum lives up to its own claim. It is a very exciting foray through completely different cultures, religions and their everyday life. I was particularly enthusiastic about the puppets from Myanmar and the temple statues in the exhibition of the same name. Tip from my side: bring a lot of time, it’s worth it. Here are a few pictures from the exhibitions:

  • Museum der 5 Kontinente, München
  • Museum der 5 Kontinente, München
  • Museum der 5 Kontinente, München
  • Museum der 5 Kontinente, München
  • Museum der 5 Kontinente, München
  • Museum der 5 Kontinente, München
  • Museum der 5 Kontinente, München
  • Museum der 5 Kontinente, München
  • Museum der 5 Kontinente, München

Stay tuned, until the next museum visit…

Stay tuned.

More about art…

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Haus der Kunst Munich, Phyllida Barlow. Is waste art?

On May 26th this year, it was finally allowed to visit a museum again after the long lockdown. After a short inquiry it was clear to me that I absolutely had to see the exhibition of Phyllida Barlow at the Haus der Kunst. The brief description promised an exciting experience in art:

Phyllida Barlow‘s sculptural structures are unwieldy and difficult to take in: timber, cardboard, cement, clay, plastic pipes, and colorful textiles pile up, spread out, or block the visitors’ way. The view ranges over these landscapes made of everyday materials, unsure what to hold on to, and drifts up to grasp their enormous dimensions. Barlow‘s works pose a constant challenge; they conquer the space as if they led a life of their own. They invite viewers to reconsidering spaces, perceive volume, and hear the language of architecture.

Source: https://hausderkunst.de/ausstellungen/phyllida-barlow?locale=en, Access August 6, 2021.

The museum’s website has a lot more really fascinating information, videos, pictures, etc. about the exhibition. Worth seeing!

My expectations were accordingly high and in no way disappointed. I was totally thrilled by the dimensions of the artworks and especially by the wacky ideas of the artist. I’ll just let the photos (see gallery) speak for themselves and refrain from commenting. However, one experience left a lasting impression on me. As I strolled around one of the artworks, a museum employee approached me and told me that it was allowed to go inside the artwork. What a fascinating experience. I made a video about it, it can be found on YouTube and in the Instagram story accompanying the post. Enjoy looking at the photos.

  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?
  • Phyllida Barlow. Ist Abfall Kunst?

Stay tuned.

More about art…

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The Hairbert Gallery. A short review of the Corona Frustration in the winter of 2021.

Inside Hairbert by christian zich

On 25.1.2021 he saw the light of day or rather he was born on a drawing pad, the Hairbert. He was born out of my personal frustration about the lockdown and all the associated inconveniences, this case the constantly growing hair and the missing visit to the hairdresser.

I was surprised by the positive response behind this art figure. I would not have thought. In the course of the last months I drew the one or other frustration from my soul and each of these small works of art had something to do with Corona and the Lockdown. I’ve been encouraged from many people to continue Hairbert, but honestly, I’ve run out of ideas at the moment. And in no way do I want to keep the little hairy guy alive under stress, so I’m sending him into an artistic slumber for now.

Maybe I’ll wake him up again once I’ve collected enough ideas and when the time is just right.

At the moment my focus is back on the music and the creative realization of the next EP with the simple yet apt name Franz.

A long birth, because musically Franz was born about a year ago and he unfortunately had to go through some musical-creative sinks. Now he is but slowly fledged, I currently rather shirk the mixdown. More about that in another place.

Stay tuned.

More about art…